‘Water’ Photography Show Brochure Design

A concise and handy brochure designed for the art photography show ‘Water’ was given a subtle, poetic look, like the images it represented. Owing to optimal paper use, it was also economical to print.

Background and Requirement

Water‘ is a series or collection of fine art photographs by Mayank, that look at water from an aesthetic perspective. Compositions of ripples, reflections and floating vegetation on the surface of water along with hints of surrounding foliage, each work in the series has an abstract quality.

Abstract fine art photograph of floating vegetation and reflections on the surface of water
A fine art photograph from the ‘Water’ series

The series was exhibited in solo shows held at Triveni Kala Sangam, New Delhi (in July 2009) and Jawahar Kala Kendra, Jaipur, India (in February 2010).

Visitors looking at framed photographs displayed in an art gallery
‘Water’ show in Jaipur

As the show dates neared, design of a brochure containing a concept note, show details and information about the artist was envisaged. It had to be handy, concise and economical to print.

Design Methodology

Working Backwards from Printing Specs and Paper Sizes

As the first step, a print production professional (late Mr. Sridhar Arvamuthachari) was consulted for printing specs from where the designer worked backwards. Since the printed quantity required was only 400, keeping cost and logistics in mind, conventional offset printing was ruled out and digital offset chosen as the printing process. Considering the maximum size of 19×13 inches that the digital offset machine could accommodate, an open size of 18×6 inches was selected as the brochure size so that two brochures could print on a single sheet of paper.

The open size of 18×6 inches was divided into three equal (square) parts: cover page, show information page and artist information page. After printing and trimming, each brochure was creased at two places and folded into a ‘Z’ shape to become a 6×6 inches handout. Back side of the brochure was left blank.

Show title over crops of two photographs by Mayank Bhatnagar, and poetic text placed below them
‘Water’ brochure cover design

Use of Rule of Thirds Grid

Layout of the brochure was created around the classic rule of thirds (in this case isometric) grid, wherein the images were also horizontally offset by a third to break the rigidity or confines of each page. Rule of thirds is often used by photographers to compose images.

Illustration of isometric, rule of thirds grid overlapping the full brochure design or spread
Rule of thirds grid used as the backbone to position text and images in the brochure layout

Showcasing the Fine Art Imagery

The design aimed to arouse curiosity about the artworks and therefore only showcased crops or small portions from four selected fine art photographs. The four abstract images had a mix of patterns and colours between them and together gave a nice impression of the variety of photographs to be displayed at the show.

Water brochure cover design (left), show info (middle) and info about the artist (right section)
18×6 inches brochure spread, with two folds between the three 6×6 inches sections

Typographic Subtleties

Brochure text, composed in a poetic and understated manner, was set in delicate serif typefaces. It was dressed in bluish-grey colour to relate to the subject (water). Photographer’s name and venue details were downplayed, allowing the writing and the imagery to take over.

Brochure page layout with two abstract images on the left and bottom sides and text about the show
Brochure middle page containing information about the show

Brochure layout was put together keeping the lengths of text in mind. Width of paragraphs in the different sections was varied to prevent the pages from looking monotonous. Apart from the brochure title, brochure text had no hierarchy and typographical variations were kept minimal (restricted to normal, bold and italics with only one paragraph text size).

Text about the artist on white background and below it crops of two abstract photographs
Brochure right side page containing information about the artist
Someone reading the opened brochure in a garden setting
A printed brochure

Technical Notes

Cordenons 145 gsm Natural Evolution Ivory paper was selected for the print run after considering its bulk, texture, subtle warm tint and cost. Use of the FSC Certified, chlorine-free paper also supported the photography show’s underlying message of water (or nature) conservation. Not very ambitious in scope and optimised for the digital offset process, the brochure was printed economically, with minimal paper wastage.

Folded brochures revealing the cover, on an art gallery table
Printed brochures at the show

Conclusion

In essence, the brochure carried a mix of artworks and information in an attractive, dignified avatar. Its subtle, poetic look and feel was representative of and inspired by the images showcased. The brochure was also handy and economical to print.

An electronic or PDF version of the brochure, light in file size and consisting of three separate pages, was also created and e-mailed to invitees. (Kindly note: this file can be opened via a PDF viewing plug-in which most modern web browsers already have, or by downloading the file on your desktop and opening it via a PDF reader.)

Related article: ‘Water’ Photography Show Poster Design

Production and Photo Credits